Fran Simó

- Art: https://fransimo.info/docs/art/
- Statement: https://fransimo.info/docs/art/statement/
- New media art: https://fransimo.info/docs/art/new_media_art/
- Rivers of Souls: https://fransimo.info/docs/art/new_media_art/Rivers_of_souls/
- #Selfie_v2: https://fransimo.info/docs/art/new_media_art/Selfie_v2/
- God is in the bugs: https://fransimo.info/docs/art/new_media_art/God_is_in_the_bugs/
- Shared Folder (Red box) v'21: https://fransimo.info/docs/art/new_media_art/Shared_folder_v21/
- Buy me a life!: https://fransimo.info/docs/art/new_media_art/Buy_me_a_life/
- Shared Folder (Red box): https://fransimo.info/docs/art/new_media_art/Shared_folder_red_box/
- I dreamed about a human being: https://fransimo.info/docs/art/new_media_art/I_dreamed_about_a_human_being/
- Books & zines: https://fransimo.info/docs/art/books/
- Passengers Vol. III: https://fransimo.info/docs/art/books/Passengers_Vol_III/
- In the End, You Always Reach Your Destination: https://fransimo.info/docs/art/books/Passengers_Vol_III/Al_final_siempre_llegas_a_tu_destino/
- CODE by R.Mutt: https://fransimo.info/docs/art/books/Code_by_r_mutt/
- Susurros (Whispers): https://fransimo.info/docs/art/books/Susurros/
- Heaven: https://fransimo.info/docs/art/books/Heaven/
- S'Arenal Summertime 2016: https://fransimo.info/docs/art/books/SArenal_summertime_2016/
- 22.2: https://fransimo.info/docs/art/books/22.2/
- Traces - 2013.12.07 - Barcelona: https://fransimo.info/docs/art/books/Traces_barcelona/
- Passengers 2012: https://fransimo.info/docs/art/books/Passengers_2012/
- Participative Processes on the Web: Making of Passengers 2012: https://fransimo.info/docs/art/books/Passengers_2012/Participative_processes_on_the_web_making_of_passengers_2012/
- Passengers: https://fransimo.info/docs/art/books/Passengers/
- From the Kodak Brownie to the iPhone: https://fransimo.info/docs/art/books/Passengers/From_the_Kodak_Brownie_to_the_iPhone/
- “Arrinconado” (Cornered): https://fransimo.info/docs/art/books/Arrinconado/
- 22: https://fransimo.info/docs/art/books/22/
- Photography: https://fransimo.info/docs/art/photography/
- The Whisper of the Nymphs: https://fransimo.info/docs/art/photography/The_Whisper_of_the_Nymphs/
- Traces (personal drifts): https://fransimo.info/docs/art/photography/Traces_personal_drifts/
- Es lloga (For Rent): https://fransimo.info/docs/art/photography/Es_Lloga/
- It is in all of us: https://fransimo.info/docs/art/It_is_in_all_of_us/
- Sibyl: https://fransimo.info/docs/art/It_is_in_all_of_us/sibyl/
- Journey: https://fransimo.info/docs/art/It_is_in_all_of_us/journey/
- First part: https://fransimo.info/docs/art/It_is_in_all_of_us/first-part/
- Methodology: https://fransimo.info/docs/art/It_is_in_all_of_us/first-part/methodology/
- A Little Guide to Talking with Trees: https://fransimo.info/docs/art/It_is_in_all_of_us/first-part/talking_with_the_trees/
- References: https://fransimo.info/docs/art/It_is_in_all_of_us/first-part/talking_with_the_trees/references/
- Drawings: https://fransimo.info/docs/art/It_is_in_all_of_us/first-part/drawing/
- Binary Jumps: https://fransimo.info/docs/art/It_is_in_all_of_us/first-part/binary_links/
- Bibliography: https://fransimo.info/docs/art/It_is_in_all_of_us/bibliography/
- Acknowledgments: https://fransimo.info/docs/art/It_is_in_all_of_us/gratitude/
- Presence: https://fransimo.info/docs/presence/
- Tameana: https://fransimo.info/docs/presence/tameana/
- Biodynamic Craniosacral: https://fransimo.info/docs/presence/biodynamic_craniosacral/
- Bodywork & Energy: https://fransimo.info/docs/presence/holistic_session/
- Book a session: https://fransimo.info/docs/presence/book/
- Promotion Istanbul and Barcelona: https://fransimo.info/docs/presence/promo/
- Code: https://fransimo.info/docs/code/
- About: https://fransimo.info/docs/cv/
- Detailed CV: https://fransimo.info/docs/cv/detailed_cv/
- Contact: https://fransimo.info/docs/contact/


![susurros3.png](susurros3.png)

# Susurros (Whispers)

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2019

Fanzine
20 Pages, A5.

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Open source subtitle editing for the movie Ghost in the Shell: Innocence.

The concept of ‘readymade’ is based on the principles of uncreative writing. While creative writing demands originality,
inspiration, and expression of subjectivity, uncreative writing is based on copying, methodology, and removing the
author. A valid way to create literature is to try to suppress expressivity and use the techniques of reproduction and
plagiarism, taking advantage of the hyperabundance of language generated by the contemporary world. The paradox that
justifies this action is that the suppression of expressivity is impossible. It is therefore demonstrated that the
recontextualization of the writings is a powerful way of generating new meanings and interpretations. (2)


(Goldsmith, K. (2015))

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